Blood spews from Medusa's severed neck. By using this website you are agreeing to the use of cookies. "Acquisitions/1986."
Perseus is depicted triumphant with the severed head of Medusa in his left hand.
On view at The Met Fifth Avenue in Gallery 548.
Form: What is the shape or structure of the elements (line, color, texture, space, light) of the work of art? Examining the sculpture from the back, one can see a self-portrait of the sculptor Cellini on the back of Perseus' helmet.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601). 86.PA.591. Perseus was one of Cellini's crowning works, completed with two different ideals in mind. Perseus stands in a contrapposto pose, with his weight on his left leg. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece. [10] Similarly, Andromeda acts as an allegory for Florence, while Perseus is the collective Medici swooping down to save the city.
[6] Weil-Garris also focuses on the pedestal beneath the sculpture in the round. Tied to Open Court unit Risks and Consequences.
Art UK has updated its cookies policy. Sebastiano Ricci (Milan: Bruno Alfieri Editore, 2006), p. 233, no. Secondly, the Medici were represented by Perseus, both in the round sculpture and the relief below. 87 (1996): 168–187. The marble sculpture by Antonio Canova (Metropolitan Museum of Art, New York), c. 1804–1806. Cellini made the conscious decision to work in this medium because by pouring molten metal into his cast, he was vivifying the sculpture with life-giving blood. You can help by tagging artworks on Tagger. January 15, 1986, p. 81, no. Here, the mythological hero Perseus triumphantly presents his trophy, Medusa's head, to the world.
XXXIX, fig. This venue is open to the public. This page was last edited on 16 August 2020, at 08:49. Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. If you want to see a particular artwork, please contact the venue. Help us improve our records by sharing your corrections or suggestions.
50. [15] Cellini was competing against monumental works of marble sculpture like Michelangelo's David and wanted to make a statement for himself and his patron, Cosimo I. Michael Cole specifically draws attention to the process of casting the Perseus. In Greek mythology, the hero Perseus was famous for killing Medusa, the snake-haired Gorgon whose grotesque appearance turned men to stone. The sculpture is thought to be the first statue since the classical age where the base included a figurative sculpture forming an integral part of the work.
[7] The Medici still dominated the theme of the pedestal as Perseus in the pedestal is an allegory for Duke Francesco Medici.[8].
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This artwork does not have any tags yet. Students write stories describing action and publish them with illustrations in a book. At the time the sculpture was created, bronze had not been used in almost half a century for a monumental work of art. He wanted to respond to the sculpture already placed within the piazza, which he did with the subject matter of Medusa reducing men to stone.
Citing Cellini's Vita, Cole notes how Cellini's assistants let the metal clot and had Cellini not been present the work would have been destroyed. The text on this page is licensed under a Creative Commons Attribution 4.0 International License, unless otherwise noted. The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options. [9] Fortunately, the public received the sculpture well, as Cosimo watched the reception from a window in the Palazzo Vecchio. The politics of the Medici and Florence dominate the Piazza della Signoria, specifically making reference to the first three Florentine dukes. Scarpa, Annalisa.
Christie’s, New York. Subject: What is the work of art about?What is the theme or major idea? Object Description. Not on view due to temporary Getty closure, Luca Giordano (Italian (Neapolitan), 1634 - 1705). You can find notes again by going to the âNotesâ section of your account.
[2] Cellini's use of bronze in Perseus and the head of Medusa, and the motifs he used to respond to the previous sculpture in the piazza, were highly innovative. However, the present pedestal may not have been Cellini's original intent, as the relief was still being worked on and installed when the bronze sculpture above had already been revealed. This painting, however, shows a later episode from the hero's life. [1] It is located in the Loggia dei Lanzi in the Piazza della Signoria in Florence, Italy. [citation needed], Cellini was the first to integrate narrative relief into the sculpture of the piazza. This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised.
When the piece was revea… Perseus Confronting Phineus with the Head of Medusa, Sebastiano Ricci (Italian, 1659 - 1734) 64.1 × 77.2 cm (25 1/4 × 30 3/8 in.)
and privacy policy, Enter your email address below and weâll send you a link to reset your password, I agree to the Art UK terms and conditions [14] Judith had been cast in bronze, but in several sections jointed together. Not all artworks are on display. This sculpture is after Antonio Canova's marble statue of 1801, now in the Vatican Museum, Rome.
Perseus with Medusa's head, as depicted in Urania's Mirror, a set of constellation cards published in London c. 1825.
Roman Fresco of Villa San Marco in Stabiae.
Antonio Canova Italian. Marble. Mandel, C. "Perseus and the Medici."
Analyze the work of art by Benvenuto Cellini’s Statue: Perseus With the Head of Medusa according to the following critical method:. Any other type of use will need to be cleared with the rights holder(s). Medium:What are the materials of the work of art?Of what is it made? Remember me (uncheck on a public computer), By signing up you agree to terms and conditions
The statue would have been acquired during the time of minority of the 4th Duke, George John Frederick Sackville, or soon after his death. Christie's Review of the Season 1986 (Oxford: Phaidon, with Christie's, 1986), p. 21, ill. This image is available for download, without charge, under the Getty's Open Content Program. [4] The third duke is directly related to the sculpture's relief panel on the base as the Perseus can be seen as a symbol for Duke Francesco and Andromeda as his Habsburg bride, Giovanna. (Paris: Réunion des Musées Nationaux, 2000), pp. Sebastiano Ricci depicted the fight as a forceful, vigorous battle. [13] The most difficult part would be completing the entire cast all at once. The J. Paul Getty Museum Journal 15 (1987), p. 185, no. Perseus is depicted triumphant with the severed head of Medusa in his left hand. He is shown in a winged hat (the 'Cap of Hades'), winged sandals lent to him by Hermes and a sword in his right hand lent to him by Zeus.
After a fierce battle, Perseus finally triumphed by brandishing the head of Medusa and turning his opponents into stone. Add or edit a note on this artwork that only you can see. Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image. His head is turned to look at the severed head of Medusa in his left hand. Donatello's Judith and Holofernes was already placed in the Loggia dei Lanzi in the westernmost arch. Antonio Canova (Italian, 1757–1822).
In Greek mythology, the hero Perseus was famous for killing Medusa, the snake-haired Gorgon whose grotesque appearance turned men to stone. Ray Livingston Murphy, 1923 - 1953 (New York, New York), by inheritance to his mother, Ray Slater Murphy, 1953.Note: as Luca Giordano, Ray Slater Murphy [sold, Murphy sale, Christie's, New York, January 15, 1986, lot 113, to Thomas Agnew & Sons, Ltd.]Note: as Luca Giordano.
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Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available. The Metropolitan Museum of Art, New York, Fletcher Fund, 1967 (67.110.1). Perseus and the Gorgon, Camille Claudel, 1905.
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