She warns him that it will be fatal but the prince insists.
Undine's father wants his daughter to marry a human and thus acquire a soul. This performance is no longer viewable as video-on-demand for rights reasons but other material about the production is still available. Yet, she refuses. The production will feature Pumeza Matshikiza in the title role with Kyungho Kim as the Prince and Goderdzi Janelidze as Vodnik. Rusalka asks her father for a solution. He published his story of The Little Mermaid in 1837. Rusalka is left behind, alone. OperaVision will showcase “Rusalka” live from the Opera Ballet Vlaanderen starting on Feb. 14, 2020. Rusalka thanks the Prince for letting her experience human love and commends his soul to God. But this metamorphosis comes at a price: she will lose her voice and be damned forever should their love story fail. The stream kicks off at 7 p.m. local time. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. Back in the woods, on the shore of the lake, Rusalka laments her fate. After the kiss, he dies in her arms. She laughs at them and they are frightened. According to the laws of nature, Undine must kill Huldbrand with a kiss.
More than anything in the world, Rusalka, a mysterious and elusive water nymph, yearns to become human to win the heart of a young prince. She asks the moon to tell her love that she is thinking of him. The most important sources for Kvapil’s and Dvořák's artistic treatment of the fairy tale can be found in the Western literary tradition, however both artists also took many elements from Slavic folk mythology. On the shore of a lake in the middle of the woods, three wood-sprites are teasing Vodník, the water goblin, with a game of catch-me-if-you-can. She acquires an individual will, an element that also occupies a central place in Dvořák’s Rusalka. ‘Rusalka is a fairy tale about nymphs, a mermaid, a water sprite, a witch, a prince and a princess,’ says Alan Lucien Øyen, who directs this new production at Opera Vlaanderen. While she was customarily portrayed as a passive object of male fantasies, Andersen gives her an active role.
Go behind the scenes of Rusalka at Opera Ballet Vlaanderen to discover all the secrets of staging and set design. She then returns to her place in the depths of the lake as a bludička, a will-o’-the-wisp, a demon condemned never to live nor die that emerges only to lure humans to a watery grave. In Christian Europe, Odysseus became the prototype of the true Christian who was able to resist the tempting sirens. The German writer Fouqué based his influential novella Undine (1811) on the tradition of the soulless water spirit as described by Paracelsus. Her sacrifice proves to be in vain, however, and the only way to escape her fate of dissolving into sea foam is by killing the prince. Act III. The full performance is no longer available but other … But this metamorphosis comes at a price: she will lose her voice and be damned forever should their love story fail. Rusalka, a lyrical fairy tale inspired by The Little Mermaid and Undine, is Dvořák’s penultimate work and one of his greatest successes. Undine became one of the sources of inspiration for the fairy tale writer Hans Christian Andersen. More than anything in the world, Rusalka, a mysterious and elusive water nymph, yearns to become human to win the heart of a young prince. Impossible as it may be for the individual to avoid a predetermined destiny, we nevertheless all seek an authentic life. In his presence, Rusalka regains her voice and complains of her suffering. Eventually the knight Huldbrand takes Undine to his castle where his love for her wanes in favour of another woman. Conducted by Giedrė Šlekytė and directed by Alan Lucien Øyen. He reminds them that it was actually the prince who abandoned her. OperaVision Free More than anything in the world, Rusalka, a mysterious and elusive water nymph, yearns to become human to win the heart of a young prince. The princess, too, abandons the prince. Vodník escorts Rusalka back into the depths. In exchange for a human form, she relinquishes her voice to the Sea Witch. OperaVision will showcase “Rusalka” live from the Opera Ballet Vlaanderen starting on Feb. 14, 2020. After the kiss, he dies in her arms. The prince is desperately searching for his exiled love.
Andersen's fairy tale, and especially her refusal to kill the prince, reinvents the mermaid. Rusalka – 'Měsíčku na nebi hlubokém' (Song to the Moon), Maria Riccarda Wesseling, Raphaële Green & Daniel Arnaldos - photo: Filip Van Roe, Goderdzi Janelidze - photo: Filip Van Roe, Morgana Cappellari, Lara Fransen, Laurine Muccioli, Júlia Pagès, Joseph Kudra, Robbie Moore, Shane Urton, Lateef Williams, Opera Ballet Vlaanderen Symphonic Orchestra. In Opera Ballet Vlaanderen’s production, Norwegian director and choreographer Alan Lucien Øyen adds a new dimension to this masterpiece of the Czech repertoire by representing the main characters on stage twice: by a singer and a dancer. The most fundamental distinction between the Western tradition and this Eastern Slavic one is the human origin of the water spirit: a rusalka is not a soulless natural spirit but a lost human soul.
The nineteenth century was a golden age for stories about water spirits. This text is based on an article by Koen Bollen that first appeared in the programme book for Rusalka in December 2019. It will be available for repeat viewings on Opera Vision until August 14, 2020. Rusalka is ostracised by the other water-nymphs.
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