Nina Simone died in 2003, aged 70, with a huge music legacy left behind and her glorious name written forever in the showbiz history. The Nina Simone albums follow the Acoustic Sounds editions of John Coltrane’s A Love Supreme and Ballads set for release October 9. Modeled after Sinatra’s A Man Alone, what would prove Simone’s final studio album tells of love and loss, including the jaunty impishness of her own “Marry Me” and the wistful gratification of Rod McKuen’s “Love’s Been Good to Me.” But it’s the title track, also McKuen’s, which provides her an ideal epithet. Nina Simone Sings the Blues 2010 $1.95. ‘Tragic Kingdom’: How No Doubt’s Heartbreak Seduced The Masses, ‘Barcelona’: How Freddie Mercury And Montserrat Caballé Made Opera Rock, The Top 10 Best Chess Rock’n’Roll Records Ever, 15 Inspirational Quotes About The Power Of Music, Do It Again: The Beach Boys’ Top 15 Covers, Ron Miles Releases Blue Note Debut, ‘Rainbow Sign’, Butcher Brown Discuss Their Jazz Influences On ‘Shoplifting’, Brothers Osborne’s Highly Anticipated New Album ‘Skeletons’ Out Today, Elton John Shares Early Psychedelic Track, ‘Regimental Sgt. It remains the best-known, if misrepresentative, track of her entire career. “Each step in our production process is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do.”. Your Amazon Music account is currently associated with a different marketplace. Dr. King’s assassination, Simone, still in extreme grief, headlined the Westbury Music Fair, about 18 miles east of Manhattan. It’s all evident across this brief but seminal session that blends “Just in Time” and “He Was Too Good to Me” with Oscar Brown Jr.’s gently wishful “Brown Baby,” the intoxicating chain-gang chant “Zungo” and a glorious, rafter-rattling “Children Go Where I Send You.” Another highlight is a hushed take on the folk song “House of the Rising Sun,” three years before the Animals had a hit with it. Back in June, Verve Label Group and Universal’s UMe announced “audiophile grade” reissues of a slew of historic jazz records. & More, Benny The Butcher Links with Lil Wayne and Big Sean on New Single “Timeless”, Busta Rhymes Previews Unreleased Ol’ Dirty Bastard Collab, Announces New Album’s Release Date, Roland Lets You Play and Record Iconic Instruments for Free in New Online Studio, Zoe Saldana Says She Never Should Have Played Nina Simone In 2016 Biopic, Watch Leah Jenea Pay Homage to Nina Simone in the Stylish “Gold Ring” Video [Premiere], Watch Lauryn Hill & Andra Day Honor Nina Simone at the 2018 Rock and Roll Hall of Fame. While I Put a Spell on You is buoyed with strings, Pastel Blues, released four months later, finds Simone leading a subdued quintet through a nine-song set of wit, protest, catharses, yearning and even a touch of fun. Then came the thunderously climactic “Mississippi Goddam,” Simone driving home her fist-shaking condemnation with an emphatic “and I mean every word.”, Though Simone never shied away from expressing her innermost thoughts and beliefs, this Parisian session serves up a singularly vibrant self-portrait, beginning in high style with the exuberant “I Sing Just to Know That I’m Alive.” She celebrates her satisfying years in Africa (“Liberian Calypso”) and reflects on her dismal time in Switzerland (“Le Peuple en Suisse”). So powerful yet amorphous a body of work is difficult to dissect, but here, in rank order, are nine must-hear Simone albums plus a heterogeneous endnote. Focusing on lean, lithe blues, Simone savors every moment, in perfect sync with guitarists Rudy Stevenson and Eric Gale, channeling the sass and interpretive heft of Bessie Smith. The album opens with her hit title track written by Screamin’ Jay Hawkins whose 1956 recording was selected years later by the Rock and Roll Hall of Fame as a seminal genre shaper. In 1987 Chanel used Simone’s breezy “My Baby Just Cares for Me” in a U.K. perfume ad, significantly boosting her then-lagging popularity. Like all Acoustic Sounds titles, the releases are being supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile grade recordings. When I started listening to jazz, as a kid growing up in rural Ohio, I got pretty lucky choosing my first few records. Simone’s cleverly bracing “Mood Indigo,” achingly tender “I Loves You, Porgy” (her one and only chart hit) and inspired melding of the delicate Rodgers-and-Hart title tune with “Good King Wenceslas” are particular standouts. Lauded during their initial releases, both albums have only grown in stature and popularity over the years as Simone’s timeless recordings, many covering such important territory as race and equality, remain as vital and relevant as ever 55 years later. For starters: her mesmeric rendering of “For All We Know,” from Bethlehem’s multi-artist Nina Simone and Her Friends; the wickedly enchanting title track and “Feeling Good,” from I Put a Spell on You; Wild Is the Wind‘s seismic “Four Women” and its gloriously turbulent title track; her transcendent “I Wish I Knew How It Would Feel to Be Free,” on Silk & Soul; Pastel Blues’ blistering “Sinnerman”; and Black Gold‘s anthemic “To Be Young, Gifted and Black.”, Purchase this issue from Barnes & Noble or Apple Newsstand. Dedicating the evening to King, her deeply moving tribute extended from “Sunday in Savannah” to the closing “Take My Hand, Precious Lord,” with the 12-minute elegy “Why? From the Album The Essential Nina Simone January 1, 1965 4.6 out of 5 stars 31 ratings Listen Now Go Unlimited Start your 30-day free trial This song can only be purchased with the album. Best Pat Benatar Songs: 15 Power Ballads and Pop-Rock Bangers, Badu Babies: How Erykah Badu’s Vocal Style Transformed Music, How The ‘Hackers’ Techno-Forward Soundtrack Captured The Future, Best Amy Winehouse Songs: 20 Soulful Essentials, About Us • Contributors • Terms of Service • Privacy Policy • © 2020 uDiscoverMusic. Despite her consistent lack of sales power she recorded steadily for 35 years, often for major labels, and she stands, alongside Sinatra, as one of few artists of her era whose catalog remains near-entirely in print. Most of the 10 other cuts from this impressive debut are better illustrations of the remarkable interpretive finesse she’d developed by age 24. Nina Simone released the two albums four months apart in 1965. 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