While the song titles here are much less florid than, say, “Isle of the Cheetah” or “An Afternoon with the Axolotls,” they’re every bit as evocative, saying exactly what Hum are going to do before they do it.
Check out Inlet by Hum on Amazon Music. Do you feel the same? With explosive flair, the enigmatic Buckethead renews his career-long juggling act of heavy metal, ambient, and experimental noise. Desert Rambler 4. On the final track “Shapeshifter,” all elements of the band align beautifully. Over the intervening years, the bandmembers would move on to other projects, occasionally reforming for one-off live shows. Inlet ’s sense of timelessness is above the scope of such reductions, melding conceptions of Hum past, present and future into a fully realised outing that thrives on its own merits. Songs contain trippy apocalyptic scenes (“The sunlight drips from the trees and forms in pools/ I’m wading through them oblivious and warm”) and fantastical musings (“Shapeshifter,” which depicts a protagonist transforming into a fawn, butterfly and a bird to gain insights into their human form). Inlet is a sonic journey, guided by huge riffs and heavy atmosphere. Even when the Champaign, Illinois, band was at peak radio and MTV visibility in 1995 thanks to “Stars” — a smoldering triumph of churning guitar grime and space-rock dynamics that appeared on their major label debut, You’d Prefer An Astronaut — they never quite fit with even the anything-goes ’90s alternative scene. Some really tasty licks scattered all throughout this recording!! It’s refreshing, as it’s so capable of standing on its own without really begging to be compared to the band’s ‘90s material.
Pitchfork is the most trusted voice in music. This band is evolving right in front of their fans and personally I couldn't be any happier about it.
2.
In the Den Lyrics. Elder creates the highest level of quality so you don't even have to question if you should purchase... buy this and enjoy another incredible offering by Elder! You’d Prefer an Astronaut. O Brother, Where Art Thou? Eartheater – Phoenix: Flames Are Dew Upon My Skin. Across the album’s 55-minute run time, the … Inlet Hum. The closest thing Inlet has to a single, the brisk metallic chug “Step Into You,” contains a scorching guitar solo combining prog’s intricacies with the ache of ’80s AOR. Hum’s legacy has largely been stewarded by acolytes like Greet Death, Narrow Head, and the Talbott-produced Cloakroom, all of whom have embraced their more funereal aspects and … One other thing that could make this album better is that many of the songs are the same-ish tempo. Deceptively simple drums and thundering bass support intertwining guitars, producing the iconic calling card that set the band apart in the mid-nineties. In contrast, the creased guitar melodies of “Folding” are aching and wistful, before giving way to a coda whirring with electronic pulses—and the album-closing “Shapeshifter” embraces blissed-out soundscapes with subtle, sighing background harmonies. Hum is, most notably at this date and time, the above-ground band that just released their first album in 22 years, Inlet. As dark and tonally blistering as anything they did in their early years, Inlet essentially finds Hum picking up where they left off in 1998.
It would’ve been enough if Hum had simply picked up where they left off, but Inlet pulls off something far more difficult—it could pass for the work of a band influenced by Hum, taking them in a more minimalist, esoteric direction: post-hardcore guitars played at stoner metal tempos. After a 22 year silence, the legendary space-rock group Hum have finally arrived with a surprise new album. Inlet is out now digitally on Earth Analog Records.
In that light, Inlet is essentially fan service. In a Beautiful Place Out in the Country Turns 20, Interview: Joseph D’Agostino of Empty Country, Napalm Death: Throes of Joy in the Jaws of Defeatism, Resequence: Chance the Rapper: The Big Day, Resequence: The National: I Am Easy to Find, Revisit: Drake: If You’re Reading This It’s Too Late, Criminally Underrated: The Girl Next Door, Welcome to the Blumhouse: Black Box & The Lie, Holy Hell! The oversized length of each song allows for plenty of moments like this – just marvel at how easy it is to get lost in the expanse of “Desert Rambler,” arguably the greatest song here. Released June 23, 2020. This exchange summarized Hum’s wary relationship with and to the mainstream music establishment. Recent times found Talbott embarking on a solo house concert tour and selling a vinyl repress of Downward Is Heavenward directly, DIY distro-style, via the online arm of his record label and studio, Earth Analog.
Most fans skip their first two albums and go right ahead to You’d Prefer An Astronaut (which spawned the minor hit “Stars,” perhaps their best-known track) and Downward is Heavenward (the overall critical and fan favorite), making this their unofficial “third studio record.” Though it’s easy to be wary of a reunion album, Inlet offers exciting and welcome surprises, proving the groups staying power. As with previous Hum efforts, Inlet is an album best listened to all at once, in one sitting, at speaker-blowing levels. Based out of Champaign, Illinois, the band is best known for classic albums like … Unexpectedly, it is their most emotionally accessible music yet.
Their contemporary peers tended to include cult favorites (Failure) and fellow Midwest iconoclasts (Shiner, Season To Risk).
This all happens more than 40 minutes into the album, and though it happens not long before the end it’s still a deeply-satisfying respite – and it makes the skyscraping guitars of the excellent “Shapeshifter” land with so much more power. Despite the passage of time, Hum has retained an energy that feels new yet distinct and authentic. In the Den 3. The band broke up in 2000, two years after their final record, Downward Is Heavenward. Cloud City 7. Then, on a random Tuesday, there it was: Inlet, the band’s fifth record, was announced and available within the same moment, leaving the longtime faithful not just surprised, but confused. The band has reconvened for select reunion shows since 2003, but largely avoid extensive touring. “Waves” begins with thick, fuzzy guitar and crashing drums. Cue awkward silence.
During that 120 Minutes appearance back in ’98, Pinfield asked Talbott about the several years Hum took between albums.
Being a dedicated fan often felt like knowing a secret handshake or code word; the music wasn’t for everyone, but those who connected found solace in the band’s fraught, vulnerable claustrophobia. Considering almost every track lasts well over five minutes, Inlet requires deeper listening and focus. Other songs, however, capture the deeply painful experience of being an imperfect human: “Where is the rescue?
Thematically, this translates to oblique lyrics that touch on wrenching concepts — grief, emotional desolation, missed connections — using vivid imagery. The members of the beloved space-rock band Hum have always followed a unique orbit. That the record existed wasn’t a surprise. In a heartfelt post on the Loose Cobra Facebook page, Talbott even referenced the “3 or 4 years (yikes! “Step Into You” feels like it could have been the lead single from Inlet, and is the catchiest song on the album. As Talbott sings on "Folding," "Do you feel the hemisphere? Between the Buried and Me: The Silent Circus, Bargain Bin Babylon: Henry “Buzz” Glass: Square Dance Variations Volume I, Bargain Bin Babylon: Robert Cray: Strong Persuader, Bargain Bin Babylon: Lemon Jelly: Lost Horizons, Bargain Bin Babylon: The Very Best of Mrs Mills, Discography: David Bowie: Scary Monsters (and Super Creeps), Holy Hell! The finest moments are when the chaos subsides and the band starts working with more clarity. “It takes us a little while to get the songs worked out.” If these factors were in play in 1998, no doubt they haven’t gone away decades later. The most quintessential “surprise album,” Beyoncé’s 2013 self-titled record, was a surprise, but it wasn’t …
It isn’t until “In the Den” that they begin to take off, maintaining their same heaviness while capturing the same accessibility that earned them modest radio attention back in the ‘90s. I’m so grateful to have this music during these precarious times.
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