Chazelle appears in a brief onscreen role. That being said, if you do like Whiplash, you may not like this, as it is a black-and-white jazz-themed musical. But where race forms the backbone of Cassavetes’s jazz-scene movie Shadows, which was a massively groundbreaking piece of narrative art in 1959, the multiculturalism of Guy and Madeline is accepted as a matter of course — it may be evocative of Shadows, but it’s a film of a far different era (and sensibility). You might like it. *Sorry, there was a problem signing you up. The characters are well defined, the music is beautiful and intellgent and the cinematography stunning. (Variance Films), Really sweet and moving. Reviewed in the United States on January 10, 2015. Whatever Bly Manor’s ghosts are trying to accomplish, they have at least two accomplices inside the house. The music is also by Justin Hurwitz. A continuación un breve resumen de Guy and Madeline on a Park Bench... After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.. Now the difference is, that he craves for the chills that he gets when he listens to his Chazelle is an excellent director, even better than he is a writer, check this one, for example. But in fact, Whiplash wasn’t Chazelle’s first feature-length film. Reviewed in the United States on February 24, 2018. It was unapologetically rough around the edges and at times amateurish, but it had a lot of balls and for that I respected it a great deal. Having seen films that create very successful raw and realistic depictions of human relationships, this film's blatant, aching attemps render as weak , forced and. It's a different kind of movie, you need an open mind, but it's one of my fave indies of recent years. The finale rushes through Dani’s climactic last stand so it can take its time unspooling an elaborate epilogue. Anyone who enjoys musicals, jazz, romance, people, movies, or life should see this film. Make of that what you will. Guy and Madeline on a Park Bench - Official Trailer. The influences are more varied than just musicals. Excellent debut film by the Damien Chazelle, who later became famous for Whiplash in 2013 as a short and the feature that followed the following year. Featuring catchy original tunes, inspiring improvised performances, and beautiful camerawork that highlights the well-known and hidden sides of Boston, G&M is a joy to watch -- a whimsical escape from everyday life into a place where breaking out into song is the most natural thing in the world. Reviewed in the United States on February 28, 2014. 1:16. Guy and Madeline on a Park Bench se estrenó el 2010-03-28 y dura un total de 82 minutos. Here’s what you should know about Guy and Madeline, which is available for rental on iTunes. A Spooky Guide to All the New Horror Streaming This October. If anything, he moves too far in the other direction, aiming for a wizened ambiguity that doesn't entirely come off. Its cast is highly diverse. In 2009, Guy and Madeline on a Park Bench, a movie that he shot mostly while he was an undergraduate at Harvard, premiered at the Tribeca Film Festival, … But it does have a few more heavily choreographed scenes that presage La La Land, including a song-and-dance number in a restaurant, though the low fidelity of the film prevents the kind of Jacques Tati–style richness that Chazelle would go for later on in his career. Tenute insieme da queste premesse e in attesa che l’epilogo possa avere seguito, il regista fa si che le divagazioni narrative e le performance musicali siano in qualche modo coerenti con le esistenze dei personaggi - separati nella vita ma uniti dalla volontà di trovare il proprio posto nel mondo -, essendone in qualche modo il riflesso dello stato d’animo.Dalla presenza di aspetti autobiografici (l’amore per la musica e il tentativo di farne lo scopo della propria carriera, come pure i trascorsi universitari coincidenti negli studi effettuati da Guy presso l’Università di Princeton), alle caratteristiche ricorrenti come quella di trattare i sentimenti alla pari di uno spartito musicale, ovvero variandone di continuo toni e frequenze, per non dire del dazio pagato dall’amore, costretto ogni volta a lasciare il passo alle ambizioni personali e infine il perseguimento ossessivo della performance (rintracciabile anche in "First Man - Il primo uomo"), tutto in "Guy and Madeline on a Park Bench" anticipa il cinema che verrà. Rarely does the horror-movie cliché of a ghost having “unfinished business” land so poignantly. If you’ve quit on Breathless because you think nothing happens, well, first of all, finish watching Breathless, but second, really nothing happens in Guy and Madeline — it makes Breathless or Shoot the Piano Player look like The Avengers. It plays very much like a European film from the 50's or 60's. All rights reserved. Se è vero che Damien Chazelle avrebbe scritto la sceneggiatura di "La La Land" nel 2010, riuscendone a realizzare un film sei anni più tardi, grazie alla stima conquistatasi presso gli Studios hollywoodiani per il successo ottenuto con "Whiplash", non c’è dubbio che "Guy and Madeline on the Park Bench" costituisca una sorta di prova generale del pluripremiato lungometraggio. Chazelle is an excellent director, even better than he is a writer, check this one, for example. Guy and Madeline is more a melange, the kind of grab-everything effort that comes from ace students who have influences spilling out their ears: Chazelle has referenced everything from experimental musical shorts from the ‘20s and ‘30s to Chantal Akerman and Jacques Rivette. A tal proposito il regista americano gioca fin da subito a carte scoperte dichiarando l’amore per un cinema - quello hollywoodiano di epoca classica - concretizzatosi nell'allestimento di una storia realizzata secondo i dettami del genere americano per eccellenza e cioè di quel musical anni 50 (in particolare quelli della Metro Goldwin Meyer) a cui il Chazelle tornerà a guardare per concepire il suo progetto più ambizioso.Più che il romance insito nella vicenda dei protagonisti, la cui unione è destinata a durare il tempo necessario allo scorrere dei titoli di testa, a caratterizzare "Guy and Madeline on a Park Bench" è soprattutto la musica: quella Jazz suonata da Guy (Jason Palmer, noto trombettista americano) e l’altra, del fido Justin Hurwitz (compagno di scuola di Chazelle e sodale nei suoi lavori successivi) incaricata di dare il là ai tip tap in cui Madeline e gli altri personaggi si cimenteranno nel corso della storia: una priorità, questa, resa evidente nella funzione assunta dal collage visivo che introduce la vicenda. the youngest Best Director winner in the history of the Golden Globes, a professor of film at Arizona State University.
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